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Orpheus Institute The dark precursor
Deleuze and artistic research
Deleuze's and Guattari's philosophy in the field of artistic research Gilles Deleuze's intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze's subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze's concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama...
Non-fictie
Engels | 572 pagina's (PDF, 10 MB) | Leuven University Press, Leuven | 2018
E-book
Marcus J. Moore Kendrick Lamar
de biografie
‘Moore schetst bij vlagen beeldend de weg naar onsterfelijkheid van de woordkunstenaar die inmiddels volgens velen de beste rapper van zijn generatie is.’ – NRC Handelsblad De al dertien keer met een Grammy Award bekroonde rapper Kendrick Lamar is nog maar begin dertig, maar hij won al de Pulitzerprijs voor muziek, produceerde de soundtrack van een van de grootste bioscoopfilms van deze eeuw Black Panther en werd al eens uitgeroepen tot een van Time’s honderd invloedrijke mensen ter wereld. ...
Non-fictie
Nederlands | 216 pagina's (ePub2, 3,3 MB) | Volt, Amsterdam | 2021
E-book
Flip Vuijsje ROCK
waarom rock de beste muziek van de 20e eeuw is
Vanaf midden jaren zestig van de 20e eeuw ontstond in nog geen twee decennia een nieuwe, gitaargedreven muziek die de harten veroverde van een complete generatie. Van Britse pioniers als The Beatles, The Rolling Stones en The Who tot Amerikaanse groten als de Eagles, Bruce Springsteen en Guns N' Roses werd rock een blijvende verrijking van onze cultuur. Hoe kon in zo'n korte tijd zo veel en zulke goede muziek gemaakt worden? Waarom eerst in Engeland? Wat voor jongens waren die eerste rocksterren?...
Non-fictie
Nederlands | 211 pagina's (ePub2, 1,5 MB) | Nieuw Amsterdam, Amsterdam | 2020
E-book
Orpheus Institute Aberrant nuptials
Deleuze and artistic research 2
Unique focus on the relation between artistic research and the philosophy of Gilles Deleuze. Aberrant Nuptials explores the diversity and richness of the interactions between artistic research and Deleuze studies. "Aberrant nuptials" is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations...
Non-fictie
Engels | PDF, 59 MB | Leuven University Press, Leuven | 2019
E-book
Hugo Logtenberg Achter De Dijk
Wie ooit een concert van De Dijk heeft bezocht, kent het handelsmerk van de band: de zaal moet plat in de as. Onder leiding van frontman Huub van der Lubbe groeide De Dijk uit tot de beste liveband van Nederland. Het resultaat na veertig jaar: een lange lijst met gouden platen, onderscheidingen en nog altijd volle zalen. De uitkomst van hard werken, het talent om woorden te vinden voor onbeschreven gevoelens en het overwinnen van tegenslagen en angsten, die voor de buitenwereld onzichtbaar bleven....
Non-fictie
Nederlands | 202 pagina's (ePub2, 1,1 MB) | Podium, Amsterdam | 2021
E-book
Paul Onkenhout | John Schoorl De vijfde Beatles
Brian Epstein, Johan Cruijff, Yoko Ono, Bob Dylan en 60 anderen in het spoor van de Fab Four
Weinig mensen weten dat Johan Cruijff een Vijfde Beatle was. George Best, Eric Idle, Billy Preston, Joey Ramone, Astrid Kirchherr, Hans Boskamp, Muhammad Ali, George Martin Pete Best waren ook allemaal Vijfde Beatles. In De Vijfde Beatles portretteren Volkskrant-journalisten John Schoorl en Paul Onkenhout 64 mannen en vrouwen die onlosmakelijk verbonden zijn met John, Paul, George en Ringo. De een ging met de band de Amsterdamse wallen op (Maup Caransa), een ander was jarenlang hun manager (Brian...
Non-fictie
Nederlands | ePub2 | Nieuw Amsterdam, Amsterdam | 2020
E-book
Orpheus Institute Artistic experimentation in music
an anthology
Essential reading for anyone interested in artistic research applied to music. This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus...
Non-fictie
Engels | 416 pagina's (PDF, 5 MB) | Leuven University Press, Leuven | 2017
E-book
New paths
aspects of music theory and aesthetics in the age of romanticism
New Paths, the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that Beethoven's op.47 not only should...
Non-fictie
Engels | 200 pagina's (PDF, 6,7 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute | Thomas Christensen Towards tonality
aspects of baroque music theory
This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on "Historical Theory, Performance, and Meaning in Baroque Music". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era. Bron: Flaptekst, uitgeversinformatie
Non-fictie
Engels | Frans | 205 pagina's (PDF, 17 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute | Thomas Christensen Partimento and continuo playing in theory and in practice
This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation'. Hence the point of departure was not 'Music Theory' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions...
Non-fictie
Engels | 136 pagina's (PDF, 4,3 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Steven Vande Moortele Two-dimensional sonata form
form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form...
Non-fictie
Engels | 220 pagina's (PDF, 6,8 MB) | Leuven University Press, Leuven | 2017
E-book
Unfolding time
studies in temporality in twentieth century music
Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in 'real time'; while for composers a work appears 'whole and entire', with the presence of the score having the potential to compress, and even eliminate, the perception of time as 'passing'. The paradoxical relationship between these two perspectives, and the subtle mediations...
Non-fictie
Engels | 198 pagina's (PDF, 12 MB) | Leuven University Press, Leuven | 2017
E-book
Paulo C. Chagas Unsayable music
six reflections on musical semiotics, electroacoustic and digital music
Profound theoretical and philosophical approach to contemporary music. Unsayable Music presents theoretical, critical and analytical reflections on key topics of contemporary music including acoustic, electroacoustic and digital music, and audiovisual and multimedia composition. Six essays by Paulo C. Chagas approaching music from different perspectives such as philosophy, sociology, cybernetics, musical semiotics, media, and critical studies. Chagas's practical experience, both as a composer of...
Non-fictie
Engels | 300 pagina's (PDF, 4,9 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Music, analysis, experience
new perspectives in musical semiotics
Transdisciplinary and intermedial analysis of the experience of music. Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well....
Non-fictie
Engels | 356 pagina's (PDF, 5,1 MB) | Leuven University Press, Leuven | 2017
E-book
Sémiotique et vécu musical
du sens à l’expérience, de l’expérience au sens
Nouvelles perspectives en sémiotique. Tout est musique, et la musique nous accompagne partout : ces lieux communs n'ont jamais été si vrais qu'aujourd'hui, au temps de l'arrosage musical continuel. Cette ubiquité, loin d'être simplement une mode, nous oblige à repenser sémiotiquement la fonction et le fonctionnement de la musique. Les essais composant Sémiotique et vécu musical montrent dans quelle direction se dirigent les recherches de nos jours. L'analyse de l'expérience musicale, par...
Non-fictie
Frans | 196 pagina's (PDF, 1,2 MB) | Leuven University Press, Leuven | 2017
E-book
Barbara Titus Recognizing music as an art form
Friedrich Th. Vischer and German music criticism, 1848-1887
The impact of Hegelian philosophy on 19th-century music criticism. Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth...
Non-fictie
Engels | 270 pagina's (PDF, 3,1 MB) | Leuven University Press, Leuven | 2017
E-book
Paul Craenen Composing under the skin
the music-making body at the composer's desk
A revealing study of the physical presence of the musician in musical performance. Fingers slipping over guitar strings, the tap of a bow against the body of a cello, a pianist humming along to the music: contemporary composers often work with parasitic, non-conventional sounds such as these. Are they to be perceived as musical elements or do they shift attention to the physical effort of music-making, contact between a body and an instrument? Composer Paul Craenen explores ways in which the musician's...
Non-fictie
Engels | 288 pagina's (PDF, 2,9 MB) | Leuven University Press, Leuven | 2017
E-book
William E. Caplin | James Heposki | James Webster Musical form, forms & Formenlehre
three methodological reflections
In Musical Form, Forms & Formenlehre: Three Methodological Reflections, three eminent music theorists consider the fundamentals of musical form. They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts and concerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First Symphony, Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture)....
Non-fictie
Duits | 180 pagina's (PDF, 3,8 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute | Alessandro Cervino The practice of practising
The process of practising is intrinsic to musical creativity. Practising may primarily be thought of as technical, but it is often also musically meaningful, including elements of interpretation, improvisation, and/or composition. The practice room can be a space in which to explore a field of creative possibilities; a place to experiment and to refine ideas. To date, the literature on practice has been primarily pedagogical and psychological. Little attention is paid to the significance of practice,...
Non-fictie
Engels | 92 pagina's (PDF, 6,6 MB) | Leuven University Press, Leuven | 2017
E-book
Stichting Nederlandse Orgelmonografieën De aristocraat onder onze historische orgels
de orgels van de Oude Kerk Amsterdam
De Oude Kerk is het oudste gebouw van Amsterdam. Al voor de Reformatie kon het publiek hier bijna dagelijks genieten van openbare orgelbespelingen. Organist Jan Pieterszoon Sweelinck maakte er furore mee. Van heinde en ver kwamen leerlingen om bij hem te studeren. Het grote orgel uit 1540 van orgelmaker Hendrik Niehoff dat Sweelinck had bespeeld, maakte in 1726 plaats voor een nieuw orgel van Christian Vater. Nog geen twintig jaar later herzag Johann Casper Müller het orgel ingrijpend, en in 1870...
Non-fictie
Nederlands | 448 pagina's (ePub2, 47 MB) | Walburg Pers, Zutphen | 2020
E-book